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By Katia Pizzi

Poised among the Mediterranean and the Mitteleuropa, crossroads of civilizations and seat of vivid cultural and literary lifestyles, Trieste is now stated as having fun with unrivalled cultural prestige among Italian towns. This quantity, the 1st finished learn of Triestine literature in English, initially reassesses Trieste+?s literary id, paying specific cognizance to the interval among 1918 and 1954 while neighborhood writing grew to become intensely conscious of its neighborhood specificity and a few of its primary motifs got here prominently to the fore. Trieste+?s singular border id, reflected in a variegated literary output, emerges right here as weighted down with complexities and ambiguities, reminiscent of the debatable inspiration of triestinita, the ambiguous relation with nationalism, particularly in its Fascist inflection, and the anxieties generated by means of repeated re-definitions of the area+?s historic borders.

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In particular Stuparich's survival of a First World War catastrophe which killed his younger brother Carlo and his best friend Slataper was bitterly atoned for through his diligent repetition of themes and styles belonging to a world which had come to an end after the war. By doing this Stuparich was not merely paying tribute to fate as the sole representative of a generation of dead writers: he was also contributing to the perpetuation of a local literary repetition, unwittingly reinforcing triestinitd.

S. Spurr: A Different Sea [London: Harvill, 1993]) and F. Muiesan's Dentro de mi Trieste (Gorizia: Istituto Giuliano di Storia, Cultura e Documentazione, 1991), a collection of dialect poems filled with nostalgia for the Empire and for a literary Trieste of old times. Another two interesting earlier titles are Ilfantasma di Trieste (Milan: Mondadori, 1985 [1958]) by Enzo Bettiza, and Serbidiola (Trieste: La Cittadelle, 1964) by Lino Carpinteri and Mariano Faraguna. The former novel reads like a patchwork of Triestine figures and events.

10 Triestine literature is regarded as an entirely twentieth-century phenomenon virtually unrelated to a preceding 'Julian literature', whose main purpose was a diligent and belated imitation of Italian literature. Maier identifies its origins, [come iniziativa individuale], con le prime opere narrative dello Svevo, ossia con Una vita e con Senilita, e magari con L'assassinio di via Belpoggio (1890); e come fatto gregale e come consapevolezza di poetica intorno al 1908—1914, allorche i 'triestini' entrano in contatto con i redattori della 'Voce' e vivono per lo piu in Toscana, e lo Slataper scrive // mio Carso, il Saba compone le raccolte Casa e campagna, Trieste e una donna e numerose liriche della Serena disperazione, pp.

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