By Jonathan D. Green
This leading edge survey of enormous choral-orchestral works is a continuation of the author's prior examine of 20th century works with English texts. eco-friendly examines approximately 100 works, from Rachmaninov's Vesna to Penderecki's tune of Songs. for every paintings, he presents a biography of the composer, whole instrumentation, textual content resources, variations, availability of acting fabrics, functionality concerns, discography, and bibliography of the composer and the paintings. established upon direct ranking examine, each one paintings has been evaluated when it comes to strength functionality difficulties, practice session matters, and point of trouble for either the choir and orchestra. whilst current, solo roles are defined. The composers represented during this paintings contain Bela Bartok, Leonard Bernstein, Ernest Bloch, Maurice Duruf?, Hans Werner Henze, Paul Hindemith, Arthur Honegger, Leos Janacek, Gy?rgy Ligeti, Gustav Mahler, Carl Orff, Krzysztof Penderecki, Francis Poulenc, Igor Stravinsky, Anton Webern, and Kurt Weill. Written as a box advisor for conductors and others fascinated about programming live shows for choir and orchestra, this article is going to turn out an invaluable resource of latest repertoire principles and a useful reduction to practice session coaching.
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Additional info for A conductor's guide to choral-orchestral works, twentieth century, part II: the music of Rachmaninov through Penderecki
The first movement is also available separately for performance with piano. Notes: Chichester Psalms was commissioned for the Three Choirs Festival at Chichester Cathedral in England where it was performed 31 July 1965. It is dedicated to Cyril Solomon. The composer states in the score that he conceived the work to be for a male choir, and that although a mixed choir was acceptable, the extended solo in the second movement must be sung by a male treble or a countertenor. Lukas Foss states that the score contains quotes from Beethoven's Pastoral Symphony, and from Foss's own Psalms.
In 1924, Bloch became an American citizen. He served as director of the Cleveland Institute of Music (1920-25) and the San Francisco Conservatory (1925-30). He moved to Switzerland in 1930 and returned to the United States in 1939, teaching at Berkeley (1940-52). Bloch then retired to Portland, Oregon where he spent his final years composing. Around the time of his arrival in the United States, Bloch began a conscious focus upon creating a genre of concert works which reflected his Jewish heritage.
Estonian National Orchestra, Pacific Chorale; conducted by J. Alexander. Bay Cities: BCD 1035 [DDD]. Vienna Youth Chorus (Günther Teuring, chorus-master), Israel Philharmonic Orchestra; conducted by Leonard Bernstein. Deutsche Grammophon: 415965 [ADD]. Aled Jones; London Symphony Orchestra Chorus, Royal Philharmonic Orchestra; conducted by Richard Hickox. RPO Records: RPO 7007 [DDD], also released as MCA Classics: MCAD-6199. American Boychoir, American Symphony Orchestra; conducted by James Litton.